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Will Anyone Outside of Hollywood Actually MISS Awards Season?

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It’s almost incalculable the amount of change thrust upon society since 2020 began. The COVID pandemic has touched almost every aspect of daily life, including all forms of entertainment. Productions were shut down across the world, with only a few trying to start up again recently. The once gushing pipeline of seemingly endless content has receded to a slow trickle, putting awards shows, like the Oscars, in a tough spot, because celebrating creative excellence only works if there is something new to celebrate.

However, few took notice recently when the Academy of Motion Picture Arts and Sciences announced it was delaying next year’s Oscars until late April 2021. It’s understandable, considering the dramatic industry-wide upheaval and the lack of new movies in cinemas for months, although, the announcement was met with little fanfare. It can be easy to suggest people aren’t paying attention because of what’s happening around them, but there were already troubling signs awards shows were falling out of favor, which could make it even harder to lure viewers back.

RELATED: Oscars Sets New Guidelines for Inclusion. Guarantees 10 Best Pic Noms

The simplest blame is on producers fumbling a once rock-solid ceremony into something that can feel bloated and sometimes boring. There was a time where the Oscars were an event for viewers, nearly acting like the Super Bowl for cinephiles, however, that is no longer the case. This year’s 2020 Academy awards drew under 24 million viewers, which is shocking considering that is only about four million more than a typical Sunday Night Football game. This is a far cry from the 1998 Oscars, which drew in a record average of 55 million viewers.

While the Oscars have experienced the most dramatic drop in ratings this century, it has been a similar fate for the Grammy's and Emmy's, but it may not be all bad. Social media activity during these broadcasts, just like during the Oscars, is steadily increasing. It indicates while the TV viewership is falling, some of those people have migrated to social media platforms instead, checking in on updates from the few watching the ceremonies. This indicates interest is still present, however, most fans have chosen to use another medium to learn about results, one that allows them to skip a three-hour broadcast, with a few exceptions still tuning in.

While viewership is declining, awards ceremony audiences can unexpectedly spike, typically when popular films receive recognition, as seen with 1998's ceremony where Titanic, a critical and commercial behemoth, brought home the gold. Titanic was the peak of a Hollywood hot streak for the Academy that began in the late 1980s. Oscar ratings were increasingly growing, which coincided with a near unparalleled run of iconic Best Pictures. From Dances with Wolves, to Unforgiven, to Braveheart, to Forrest Gump, audiences were tuning in to see some of their favorite popular movies win the big awards.

Fast forward to this year where Avengers: Endgame, one the biggest movie made, failed to earn nominations outside of Best Visual Effects. Coincidentally, the Oscar ratings for the year were once again low. Whereas last year’s Best Picture nominations included audience favorite and box office juggernaut Black Panther, and Oscar ratings were higher. It could be argued audiences have always preferred watching award shows that reward and recognize their favorite films as opposed to seeing them celebrate films that only reflect the Hollywood elite.

RELATED: Regal Owner Cineworld Delays Reopening by Two Weeks Due to COVID-19

Big awards shows have also struggled in recent years with bad press about how selections are made, how votes are cast and the long standing problems dealing with race and gender inequality, all of which fuel the perception that award shows are out touch with the progressing realities. This is especially important because honoring the arts is about more than trophies. If award shows can’t survive in this new reality, it will leave a much bigger hole than just on the TV schedule.

Award shows play an important role in society. Celebrating artistic achievement provides a safe stage for critical debate, freedom of expression and recognizing differences and similarities. The arts help hold a mirror to the best and worst of humanity, which is why using awards shows to celebrate Best Picture winners like Schindler’s List and Spotlight is just as important as honoring audience favorites like Gladiator and The Departed, all of which drew decent viewership and kept the public engaged.

While the path ahead for awards shows may look murky and uncertain, people have always shown a willingness to take part in the celebrations. If the Oscars and other award shows work towards representing their audiences' favorites, as well as more inclusive nominees that reflect reality, then the shows may be able to see audiences return.

KEEP READING: Da 5 Bloods' Emotional Ending Is Spike Lee's Love Letter to Black Lives Matter


What Was Twilight of the Superheroes, Alan Moore's Unproduced DC Ragnarok?

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Alan Moore is one of the most well-regarded comics creators ever, with a plethora of iconic stories under his belt -- including perhaps his most critically applauded, the superhero deconstructionist limited-series Watchmen. However, Moore almost made another exploration of the DC Universe that would have changed its future forever with Twilight of the Superheroes.

This superhero epic was never fully produced, but this is what would have happened.

RELATED: DC Introduces Its Most Absurd Hero Fusion EVER

Twilight of the Superheroes is believed to have been first submitted to DC in 1987. Somewhat inspired by Frank Miller's The Dark Knight Returns, Moore was intrigued with the concept of giving an "ending" to superhero characters, thus elevating them to a position of mythic status comparable to legends like King Arthur.

The concept was to introduce a possible final future for the DC heroes, presented as a desperate message from the future in a bid to prevent it -- or ensure that it came to be. Pitched two years after the events of Crisis on Infinite Earths reduced the DC Universe to a single world, the series would have spanned across all titles in minor ways and even brought back the multiverse to introduce the idea that the future is always changing. Therefore, it is always creating other realities, which is similar to the eventual conception of Hypertime.

Ultimately, the series was never produced and Twilight of the Superheroes instead survived by being shared in the early days of the Internet. DC and Moore have confirmed the validity of the concept, meaning that for one brief moment, his conclusion to the DC Universe was considered.

RELATED: DC Vs. Marvel: Which Super-Vampires Reign Supreme?

In Twilight of the Superheroes, John Constantine is approached by a Rip Hunter from the future, who tells him about the fall of the superheroes. Decades from now, society has collapsed and superhero dynasties rule the world. The House of Steel (Superman, Wonder Woman and their children, Supergirl and Superboy) are set to bond their family together through an arranged marriage with the House of Thunder (Captain Marvel, Mary Marvel, their daughter Mary Marvel Jr. and Captain Marvel Jr.).

This union terrifies the other houses -- the House of Titans (remnants of the Teen Titans, led by an embittered Nightwing), the House of Justice (the last heroes, led by Donna Troy), the House of Mystery (the last magic-users on Earth), the House of Secrets (the final remaining villains in hiding), the House of Tomorrow (numerous time-displaced travelers doing their best to avoid damaging the timeline) and the House of Lanterns (the last space heroes, exiled off Earth and now planning an invasion from Mars). They all scheme and prepare for the wedding in their own ways.

RELATED: Dark Nights: Death Metal Destroys An Iconic DC World

Two other mysteries dominate the story. One focuses on Batman, who has been missing for years and is believed by some to be dead -- in reality, he's part of a secret cabal. The other is a seemingly minor mystery, as the Question investigates the murder of an unknown dwarf by a mysterious dominatrix. The future John Constantine spurs the other Houses to conflict, pushing for an alliance between the Titan, Justice, and Secret Houses while seemingly being an advance agent for the coming alien invasion led by Adam Strange.

As the wedding approaches, Superman and Wonder Woman have more trouble controlling their sadistic son, while Mary Marvel Jr. fears their marriage. The day of the wedding, the alliance of other Houses attacks. The battle is brutal and bloody: The only survivors are Superman, Captain Marvel and the handful (Mary Marvel, Captain Marvel Jr, and Supergirl) who flee the planet and find a home elsewhere.

The alien invasion begins and Superman finds out the truth: Captain Marvel has been dead for weeks. As Billy Batson, he was the dwarf who's death Question has been investigating. The murderer was a shapeshifter, the same one's been posing as Captain Marvel this entire time: Martian Manhunter.

RELATED: Dark Nights: Death Metal - Scott Snyder Confirms Red Bat's Identity

Despite his best efforts, the invasion is too much for Superman to handle alone and he's overwhelmed. Before the aliens can take over, Batman and his secret allies arrive -- including Constantine -- which leads to the destruction of the alien armada.

To the horror of the present-day Constantine, he learns from Rip this has all been a plot to ensure this future happens, so humanity can rise uncontested. Twilight of the Superheroes ends with Constantine resisting this future by refusing to talk to a woman he was otherwise fated to fall madly in love with -- leaving him alone and bitter, spiteful of the future that may never come to pass.

Twilight of the Superheroes could have been the Game of Thrones of the superhero genre, a massive and sprawling tale. It's a shame the story will likely never be produced as a comic, as Moore's falling out with DC has prevented him from returning to those characters and concepts. Many ideas the series would have introduced -- such as the return of the multiverse and the concept of ever-changing futures -- have since become cornerstones of the DC Universe once again.

Keep Reading: EXCL: DCeased - Dead Planet: [SPOILER] Discovers Batman's Devious Betrayal

PREVIEW: Batman #94 | CBR

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  • written by JAMES TYNION IV
  • art by GUILLEM MARCH
  • cover by TONY S. DANIEL
  • card stock variant cover by STANLEY “ARTGERM” LAU
  • The Designer’s machinations have left Batman’s life in tatters! Gotham City’s ambitious rebuilding has skittered to a halt as new powers are rising to shape its destiny—and Batman is powerless to stop them! With no Alfred or Bat-Family to lean on, the Dark Knight stands alone against the ascendance of his greatest adversary!
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AEW: It’s Time for Cody to Start Moving Past the Overbooked ‘Dusty’ Ending

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Over the last number of months, TNT champion Cody has relied on overbooked, interference-filled endings in his AEW pay-per-view matches, such as his most recent contest at Fyter Fest against Jake Hager. While the gimmicky, or 'dusty' finish – credited to Eddie Graham but made famous by Cody's father Dusty Rhodes – is useful in certain, high stakes instances for shock value, it can quickly lose its impact when done repeatedly.

Cody's most recent title bout connects to a larger, more concerning theme of screwy finishes in his big-time matches for AEW, but if anyone knows how to book this type of ending going forward correctly, its the son of the man they're named after.

RELATED: AEW: Cody's Open Challenge Is a Brilliant Way to Built the New TNT Title 

In-ring wise, Cody and Hager had a solid match this past Wednesday. The pair – both proficient amateur wrestlers – played to each other's strengths, with Hager utilizing his power, while Cody countered with agility and tenacity as the contest wore on. The final pinfall was also unique, as Hager –with an arm triangle locked in – was flipped onto his back for the surprise loss.

The contest, however, will chiefly be remembered for the sequence immediately before the finish. First, Hager's wife Catalina slapped Cody following a rope break. Seeing this, Arn Anderson – Cody's head coach and Dusty's former NWA rival – instinctively hopped up to the apron to lambast the referee for what had just occurred. While this was going on, Dustin Rhodes came from the back, landing a right hand on Hager, who seemingly had the match in his grasp following another deep ankle lock on Cody.

The finish was a lot to keep up with and painted Cody – the face in the feud – in a negative light. It was also the fourth consecutive pay-per-view match for Cody that included outside interference, leaving a sour taste in the mouths of some. Because AEW runs quarterly events instead of monthly like WWE, there's more time to build up programs on television. This also results in an increased desire from fans to see an appropriate payoff instead of a controversial ending.

RELATED: AEW's Cody Shares Heartfelt Message to Zack Ryder Over WWE Release

When used appropriately, a gimmicky finish can have tremendous results. This was on display at AEW's Full Gear event last November, where Cody's protégé MJF – at ringside the whole match – cost him the AEW World Heavyweight Championship against Chris Jericho after throwing in the towel following a deep submission. This led to an incredibly personal rivalry between the pair, which made for tremendous television, while also being considered by some to be the best program AEW has put together thus far.

Cody, no longer able to challenge for the world title due to the loss, had to endure weeks of punishment just to get a match with MJF at last February's Revolution pay-per-view. When the two finally squared off, expectations were high, and for the most part, the duo delivered. The well-paced, methodical contest was unlike any other match on the card but was slightly overshadowed by the constant presence of Cody's wife Brandi, as well as Anderson at ringside. The pair's involvement in multiple sections of the match, along with MJF's bodyguard Wardlow did not need to happen for the match to thrive.

It was at Double or Nothing against Lance Archer – a red-hot monster heel – just over a month ago when the wheels really started to come off the tracks finish-wise. Yet again, Anderson got involved, knocking Archer, who had control for most of the match, off the top rope at one point. In the end, special guest Mike Tyson also distracted Archer, leading to the win for Cody. If this was a one-off occurrence, it might have been okay; however, the constant use of outside interference has gotten stale and could have long-term consequences in regards to fan support.

RELATED: AEW: Everything to Expect From Fyter Fest's Second Night 

Cody can break this trend rather easily by entering his next pay-per-view match alone, with an emphasis on work rate, something he noted as being important when he won the TNT title. It also would help to face an opponent like the up-and-coming Darby Allin, one of the company's 'homegrown' talents.

Cody has previously mentioned that he wants to build a new class of wrestlers in AEW, and Allin's enigmatic look and presence, along with his fearless but technical style fit the bill. The story entering the match could center around Allin's desire to avenge two close losses to the American Nightmare, including their most recent bout in the semi-finals of the TNT championship tournament.

There is also the possibility down the line of MJF and Cody re-igniting their bitter feud. At the same time, fellow rising stars "Hangman" Adam Page and Jungle Boy could also serve as more than suitable opponents in a long-term program. Regardless as to which direction Cody goes next, it's in both his and the product's best interest to move away from his father's old booking habits.

KEEP READING: Darby's Loss to Cody Was a Huge Mistake 

PREVIEW: Batman and the Outsiders #14 | CBR

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  • written by BRYAN HILL
  • art by DEXTER SOY
  • cover by TYLER KIRKHAM
  • variant cover by SHANE DAVIS
  • Batman is going to push the Outsiders to their absolute limits in order for them to stop Ra’s al Ghul once and for all. He’ll force them all to use their powers in ways they never imagined and possibly push them over the edge in the process! Batman and Black Lightning will need to decide who the true leader of the team is, or Ra’s’s victory will be assured!
  • ON SALE 07.07.20
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Without Beavis and Butt-Head, There Would Be No Rick and Morty or South Park

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Animation as a form of storytelling has been around for a long, long time, producing iconic characters such as Mickey Mouse and Bugs Bunny. Over the years, animators and storytellers grew up on what the previous generations created, inspiring them to develop something all their own. And for a lot of modern animation heavyweights, a huge inspiration was Beavis and Butt-Head -- for better or worse.

The series focused on two morons who took slacking to new levels and may have been actual potatoes on a couch who somehow gained sentience and mobility. Each episode was split between their antics, which included tormenting their neighbor and their teacher, as well as watching TV and openly mocking MTV's music video content.

RELATED: Rick and Morty Proves the Potential of a Rogue Reed Richards

Created by Mike Judge, the iconic duo debuted in a short film for Liquid Television, an animation showcase that appeared on MTV in the early 1990s. MTV recognized there was something more at work, and greenlit a series based on the two characters. The original series ran for seven seasons, coming to an end in late 1997 -- a point in time that the spirit of the early '90s was crashing down around everyone.

Reception to the series was divided at the time, with many people calling it trash and an example of the decay of American culture. But others like David Letterman recognized Beavis and Butt-Head for what it was, a superb satire of modern America and the culture it was producing. The eighth season, which aired in 2011, even managed to maintain that air of sarcastic wit that hides beneath the utter stupidity of the show's two main characters.

RELATED: WWE Is Turning Into South Park -- In One Weirdly Specific Way

The influence of the series cannot be denied. For Judge, he went on to create King of the Hill, which starred Hank Hill. An early version of Hank was actually a recurring character on Beavis and Butt-head, and the target of many of the boys' shenanigans. A fan-favorite Beavis and Butt-Head character named Daria was also spun off into her own eponymous and influential series, though Judge was not involved.

But the influence Beavis and Butt-Head was not limited to series within Judge's sphere. South Park creators Matt Stone and Trey Parker have openly stated that Judge's series was a huge influence on them, which is not surprising in the least. Coincidentally, South Park debuted on Comedy Central mere months before the original run of Beavis and Butt-head came to an end in 1997.

RELATED: King of the Hill Anime: The Angry Internet Fandom Fight, Explained

Beavis and Butt-Head and South Park helped normalize the idea that stupid is smart. They have both been applauded for relatively poignant social messages given by offensive characters layered in level after level of ridiculous humor that deftly walks the fine line between horrifying and illuminating. While that may be the case for these two series, there is another show influenced by both of them that proves smart can also be stupid.

In recent years, Rick and Morty has become Adult Swim's juggernaut, plain and simple. The series is a crossover hit with Adult Swim's usual fan base of lunatics who like shows about an anthropomorphic squid who make moonshine out of pine cones and the rest of the world. Similar to South Park, the show's origins are eerily similar to that of Beavis and Butt-Head. Justin Roiland submitted an animated Back to the Future parody short to a film festival co-creator Dan Harmon was the co-founder of.

RELATED: Rick and Morty Co-Creator Brings New Animated Comedy to Fox

In an article published on the day Rick and Morty debuted in 2013, Justin Roiland mentioned several of his influences, including both South Park and Beavis and Butt-head. He also mentioned John Kricfalusi's iconic series Ren and Stimpy, another show that continues to influence generations of animators. But he also made a point that denotes one key similarity between all three series.

While each show takes great pleasure in skewering pop culture and politics, they also share the common ground of creators voicing characters. On Rick and Morty, Roiland voices both Rick and Morty. On South Park, Stone and Parker voice many of the characters, including the four boys. With Beavis and Butt-Head, both titular characters were voiced by Mike Judge, something that is likely to continue in the recently announced new seasons.

Beavis and Butt-Head might not have been the first animated series to be crass and crude while still being subversive and intelligent, but it is the standard-bearer by which all similar shows are judged by. It influenced a generation of animators that gave fans two of the most iconic and impactful series in the history of television. With Comedy Central announcing two new seasons, it will be interesting to see if shows like Rick and Morty and South Park will now influence Beavis and Butt-Head.

KEEP READING: HBO Max Announces South Park’s Arrival Date

PREVIEW: DC Classics: The Batman Adventures #2 | CBR

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  • written by KELLEY PUCKETT
  • art and cover by TY TEMPLETON and RICK BURCHETT
  • In this second issue of this new, all-ages reprint series, Batman jets off to London to stop Catwoman from stealing the crown jewels!
  • ON SALE 07.07.18
  • $1.99 US | 32 PAGES
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Marvel Gave a Netflix Hero Wolverine Claws & the Punisher Is JEALOUS

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WARNING: This following contains spoilers for Ravencroft #5 by Frank Tieri, Angel Unzueta, Rachelle Rosenberg, and Joe Sabino, on sale now.

After giving a home to Spider-Man's most troubled villains for years, Marvel's Ravencroft Institute for the Criminally Insane has had a tough time reopening. After it was destroyed by the events of Absolute Carnage, New York City Mayor Wilson Fisk is nearly finished overseeing the rebuilding of the facility, even though it has a dark history of twisted experiments.

Now, Ravencroft is being managed by a staff of heroes and villains like Scorpion, Moonstone, John Jameson and Misty Knight. However, the most famous name at the facility belongs to one of its patients: Frank Castle, the Punisher. And underneath all of those familiar names lie the Unwanted, humans who've been twisted into monsters as a result of the experimentation and vampire infestation.

Related: Spider-Man: Scorpion Gets a Makeover in the Wake of Absolute Carnage

And as the Unwanted attack in Ravencroft #5, Misty Knight and the Punisher team up to take the creatures down before as they attack and try to destroy the building. While the two Marvel Netflix heroes fight overwhelming odds, Misty Knight shows off what her bionic arm can do by popping a set of Wolverine-esque claws.

After Misty Knight's arm needed some upgrades following Absolute Carnage, the former Daughter of the Dragon showed off some of its capabilities in the last issue, where she unleashed an electric boost that looks an awful lot like Iron Fist's signature chi power. And when she unsheaths her claws in this issue, Misty shows that her arm also contains claws that resemble Wolverine's signature weapons, complete with a "Snikt" sound effect.

Punisher is impressed with Misty's new toys, and he even asks where her upgrades came from because, as he says, he's "always in the market" for new weapons to add to his considerable armory. However, Misty doesn't reveal her supplier and tells him that fighting a bunch of monsters together doesn't make them friends.

Related: Maximum Carnage: A Complete Guide to the Spider-Man Event

Between their brains, bullets and brawn, the pair continue to shoot and slice their way through the monsters until all seems lost. However, the day is saved by the unlikely visage of Fisk, who battled the better half of the Marvel Universe as the Kingpin in his more villainous days. However, Fisk and his cavalry make short work of the remaining monsters and save the facility, as Castle escapes from custody into the night.

As the end of the issue reveals, what transpired inside Ravencroft was partially the design of Norman Osborn, acting on orders from the J.A.N.U.S. organization With John Jameson named the official warden of Ravencroft, Misty Knight stays on as part of the building's staff. While we don't know what else Misty's upgraded arm can do, her job will almost certainly require her to use it before too long, especially with the symbiote god Knull heading to Earth.

Keep Reading: Knull: Venom's Symbiote God Has a Dangerous New Ally on Earth


PREVIEW: Detective Comics #1023 | CBR

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  • written by PETER J. TOMASI
  • art and cover by BRAD WALKER and ANDREW HENNESSY
  • card stock variant cover by LEE BERMEJO
  • Just when you thought it was safe to crack a smile, The Joker is back to crash the party! Hot on the heels of “Joker War,” the Clown Prince of Crime is revealed as the mastermind behind Two-Face’s turmoil—but to what end? Batman will need all the allies he can get, and what better ally than Harvey Dent? Can the Dark Knight cure his friend once and for all in time to fight the greatest battle of his life?
  • ON SALE 07.07.20
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PREVIEW: Doom Patrol: Weight of the Worlds #7 | CBR

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  • written by GERARD WAY and JEREMY LAMBERT
  • art and cover by NICK DERINGTON
  • Everyone needs to be held like a baby. Bundle yourself up, slide into the loving arms of a friend, and strap yourself in for the thrilling conclusion to Doom Patrol: Weight of the Worlds.
  • ON SALE 07.07.20 
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FINAL ISSUE

PREVIEW: Harley Quinn #74 | CBR

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  • written by SAM HUMPHRIES
  • art by SAMI BASRI
  • cover by GUILLEM MARCH
  • variant cover by FRANK CHO
  • Harley Quinn’s sojourn in L.A. has been full of tragedy and heartbreak, from the death of her friend to uncovering a deep web of moral compromise that’d make even the most sadistic Batman villain’s stomach churn. In the epic finale to our story, Harley will come face to face with the person pulling the strings and learn who’s out to see her fail!
  • ON SALE 07.07.20
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PREVIEW: Hawkman #25 | CBR

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  • written by ROB VENDITTI
  • art by MARCO CASTIELLO and DANNY MIKI
  • cover by MIKEL JANÍN
  • variant cover by GERARDO ZAFFINO
  • Clash from the past! Hawkman and Hawkwoman wage war against the Lord Beyond the Void in a desperate bid to escape his realm! Once the god to whom Hawkman answered, now his mortal enemy—the Lord hates the hero Hawkman has become and will stop at nothing to drain his life force away and put an end to his reincarnations for good!
  • ON SALE 07.07.20
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DC: 10 Secrets About The Tom Welling Superman Suit You Missed

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Tom Welling portrayed Superman in the television show Smallville by Alfred Gough and Miles Millar which premiered in October 2001 and ran for 10 years. The show was a twist on the classic comic tale and showcased the story of Superman's upbringing and maturity into the Man of Steel that fans love.

RELATED: Superman: 5 Undeniable Ways His Death Changed Comics For The Better (& 5 For The Worse)

Unlike traditional Superman stories, here, Clark Kent did not wear his famous outfit until the end of the final episode. Here are 10 secrets about the Tom Welling suit that you missed.

10 Red-Blue Blur

It is not just Clark Kent who experienced a coming-of-age of sorts in Smallville. His suit did too! Earlier on in the story, Clark Kent was operating under an alias "the Red-Blue Blur," later just "The Blur," based on his disguised superhero activities while wearing particular outfits. As the story progressed, these eventually progressed into the characteristic Superman outfit that fans are familiar with. Given that these "Blur" outfits were part of the journey to the final emergence of the Tom Welling Suit, the transformation is worth noting.

The Red-Blue Blur was a leather jacket embossed with the "S" Superman shield on the front with a blue t-shirt underneath. This alias emerged when Jimmy Olsen, the Daily Planet photographer took a picture of Clark Kent saving someone while donning these colors.

9 The Blur

When Jimmy Olsen died, Clark Kent abandoned the Red-Blue Blur suit for an all-black vigilante suit comprising a black T-shirt with the House of El emblem inscribed on the front in white, black jeans and a black trench coat. It was with this new look that he became known as the aforementioned alias "The Blur," but he discarded it too when its mystery started to cause unrest in the public and the U.S military.

It is interesting to note that fans found "The Blur" look cool and an interesting twist to the Superman outfit although quite similar to Batman who wears black to hide in the dark. However, this is quite a contrast to the character of Superman who usually has nothing to hide.

8 The Martha Kent Suit

Martha Kent was Clark Kent's adoptive mother. Once she realized that he was growing up and beginning to embrace his superpowers, she handmade for him a real Superman outfit that is much like the traditional suit well-known by fans.

RELATED: 5 Superman Villains Lex Luthor Can Beat In A Fight (& 5 He'd Lose To)

In Smallville, we were not told what the Martha suit was made of but that it was inspired by the two "Blur suits" before it, which is a noteworthy secret. The suit featured the red and blue colors of "Red-Blue Blur" with the House of El insignia of "The Blur" outfit and a cape similar to its black trench coat. However, Clark did not wear this particular suit until the final episode of the show, as previously mentioned.

7 Channeling Brandon Routh

In the finale of Smallville, Clark Kent, while in the Fortress of Solitude, meets the spirit of his dead adopted father, Jonathan Kent, who hands him the Superman suit made by Martha Kent. Clark's first view of the suit in the Fortress, before Jonathan hands it to him, is of it rising out of the ground, hanging within a polythene-like chamber.

The moment unearthed a memory from the timeless Superman film series in that it was the exact suit worn by Brandon Routh as Superman in the 2006 classic American film, Superman Returns by Brian Singer.

6 Channeling Christopher Reeves

Superman Returns is not the only piece of history that the Tom Welling Superman suit unearthed. The only moment where we actually see Clark in the suit is at the end of Smallville when he runs toward the camera on the roof of the Daily Planet and rips his shirt open to expose the blue Superman suit underneath with the red House of El insignia.

This shot is an exact recreation from the 1978 Christopher Reeve film Superman. The production team had to carefully watch the 1978 scene in order to accurately recreate it in Smallville.

5 A Gift from DC Comics

The finale of Smallville is loaded with memories. While Tom Welling is gazing at the suit after it has miraculously risen from the Fortress, his deceased father's voice in the background is saying; "I ask you to remember..." It appears that the entire scene was created on the concept of unearthing memories and in line with this, DC Comics offered to Alfred Gough and Miles Millar, the creators of Smallville, Christopher Reeve's original suit from the 1978 film Superman.

RELATED: Superman: 5 Captain America Villains That He Could Defeat In A Fight (& 5 He Would Lose To)

The classic suit was turned down however because it was way too old fashioned to fit into the modern theme of the show. It is currently stored in the Warner Bros Museum.

4 Two Different Suits

In the same scene when Tom Welling is presented with his Superman suit, two different suits were used; the Brandon Routh version hanging in the Fortress and a different suit which Jonathan hands Clark Kent. The former has the House of El emblem in the chest area made with maroon leather, and with a fine pattern on its surface like goosebumps on the skin.

The latter features a bright red cape and insignia, without the bumpy detail on the surface of the emblem. This difference raised some questions in the fandom about issues of continuity.

3 Never Wore the Full Suit

Despite much anticipation from the fandom that Tom Welling would finally wear the Man of Steel's costume in the Finale, he never actually donned the full suit. Even though the original plan was for him to wear the outfit, Tom Welling was against being seen in Superman's famous tights and trunks,  reasoning that the show was more about Clark Kent's life journey to becoming Superman than actually being Superman.

RELATED: 5 Things Smallville Got Wrong About Superman (& 5 That It Got Right)

This argument seemed acceptable because the producers let him be. All the other glimpses of Tom Welling in the suit after the rooftop scene were created with CGI Technology that only featured his face.

2 Emblem on the Cape

The emblem of the House of El is a key part of the Superman suit that distinguishes him from other superheroes. Despite the fact that the show resurrected the Superman Returns suit, Tom Welling's actual suit featured a slightly different placement of the emblem from the Brandon Routh suit.

While the latter only had it on the chest, belt, and boots. Tom Welling's suit featured the insignia on the cape as well, in the shape of a yellow hexagon with an "S" in the middle.

1  A Meeting of Clark's Worlds

The Tom Welling Suit turned out to be the ultimate reward to the hero's journey in the Smallville story arcIt is the meeting of his several worlds; that of his mother Martha Kent, who originally made the garment, Jor-El; the spirit-like artificial intelligence immensely-powerful being who was a guide to him while growing up and his deceased father, Jonathan Kent.

At the moment when Jonathan Kent hands the Superman Suit to Clark, Jor-El's voice is speaking to him, telling him that he is proud of him and reminding him to never forget Smallville. At this moment, Jor-El's, Superman's biological father, and Jonathan, his adoptive father, are in agreement that Clark is ready to don the Superman suit and execute his assignment of protecting the earth. However, he must remain true to his roots in Smallville from whence the suit literally originated, hand-made by Martha.

NEXT: Where Are They Now: The Cast Of Smallville

DC: The Court Of Owls & 9 Other New 52 Stories Worth Reading

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The New 52 has gone down as a not so great time for DC Comics. There are lots of reasons for this- the fact the company never gave an actual timeline of canon events, behind the scenes drama between the company and creators, and some of the strange choices made by those creators. Rob Liefeld wrote more than one book. It was a weird time.

RELATED: DC: 5 Things The New 52 Changed About Poison Ivy (& 5 Things That Were Kept The Same)

However, that doesn't mean that there were no good stories. The New 52 still had some of the biggest and best creators in comics working on the titles and there are some definite gems. Here are some of the best New 52 stories.

10 Batman: The Court Of Owls

The inaugural story of Scott Snyder and Greg Capullo's wildly popular Batman run, Batman: Court Of Owls sees Batman make a discovery about Gotham City that he never before suspected. There's a shadowy group controlling everything behind the scenes and they're coming for him.

Snyder laid the groundwork for what his Batman run would be in this book, as well as beginning plot threads that he and Capullo would tie up in Dark Knights: Metal and Dark Knights: Death Metal. Capullo's art makes the whole thing sing. Batman: Court Of Owls is not only one of the best New 52 stories but also one of the best Batman stories of the 21st century.

9 Batman: Endgame

Yet another Batman story by Snyder and Capullo, Batman: Endgame is the second Joker story the two worked on and superior to the first (Batman: Death Of The Family; it almost made this list). In it, Joker makes his latest attempt to kill Batman.

There's so much to the story than that, but giving away too much would ruin it. Suffice it to say it's one of the better Joker stories with a great twist ending and more of Snyder setting things up for the future.

8 Green Arrow: The Kill Machine

Green Arrow: The Kill Machine is Jeff Lemire and Andrea Sorrentino's inaugural Green Arrow story. Their Green Arrow run has gone down as one of the strongest the characters have had in the 21st century and this one is the start of it all.

RELATED: 5 Good Things That Came Out Of The New 52 (& 5 Bad Things)

Green Arrow's life is thrown into chaos as both his company and his money are taken from him. Behind it, all is a mysterious new villain called Komodo. On the run from the villain, Green Arrow finds himself on the island where it all began.

7 Wonder Woman: Blood

Wonder Woman: Blood is the first book in Brian Azzarello and Cliff Chiang's Wonder Woman run and it represents the beginning of a reimagining of the Amazonian princess, one that would bring her closer to her roots in Greek mythology.

Zeus is doing what he always does- getting people who aren't his wife pregnant- and Wonder Woman is tasked with protecting the girl from Hera's wrath. Along the way, she learns of a prophecy about Zeus's downfall and the secret of her own birth, one her mother kept from her.

6 Justice League: Origin

Justice League: Origin, by Geoff Johns and Jim Lee, tells the story of the beginning of the New 52 DC Universe. The greatest heroes come together for the first time to battle a threat so powerful that none of them can face it on their own.

Full of Johns's deft character work and Lee's detailed kinetic pencils, Justice League: Origin gave fans the new origin of the Justice League as they battled one of the greatest threats any DC Universe has ever known. It also made subtle tweaks to the Justice League, subbing Cyborg in as a founder in lieu of Martian Manhunter, and was an all-around good time.

5 Grayson: Agents Of Spyral

Grayson: Agent Of Spyral, by writers Tim Seeley and Tom King and artist Mikal Janin, spins out of Forever Evil. The world has learned that Dick Grayson was Nightwing. Dropping out of the world, Batman gives him a new mission- to infiltrate the spy organization Spyral.

RELATED: 10 Retconned Things From New 52 We Wish DC Comics Kept Canon

Full of high octane action and intrigue, this series thrilled fans of the character and this is the story that started it all. Seeing Dick Grayson has a 007 style spy on a secret mission was a lot of the fun and this one established everything fans would need to know about his new status quo.

4 Forever Evil

Forever Evil, by Geoff Johns and David Finch, sees the evil Justice League of the Earth-3, the Crime Syndicate of America, invade Earth-o after their own planet is destroyed. With the heroes defeated, it's up to Lex Luthor and a team of villains to take back the planet.

An action-packed banger of an event, Forever Evil showed readers a side of Lex Luthor they'd never seen before- not only was he the hero of the story but there are some genuinely touching scenes between him and his Superman clone, Bizarro. This story is full of ups and downs and is the best event book to come out of the New 52 in particular and one of the best of comics in the 2010s in general.

3 Aquaman: The Trench

Aquaman: The Trench, by Geoff Johns and Ivan Reis, had an uphill battle to fight- it had to help Aquaman overcome the stigma of being the guy who talked to fish on the old Superfriends cartoon and the years of jokes that followed. It delivered that and more.

Featuring Aquaman and Mera as they learn about a new undersea threat devouring everything in its path, this story showed readers just how awesome Aquaman could be. Full of chills and spills, there's a good chance the Aquaman movie would not exist without this book.

2 Grant Morrison's Action Comics Run

Action Comics #1-18, by writer Grant Morrison with art by Rags Morales, Andy Kubert, Gene Ha, Travel Foreman, and Ben Oliver, tells of the beginning of Clark Kent's time as Superman up to the present day as he faces a variety of threats, all of which have been orchestrated by one enemy with a fiendish purpose.

Morrison brings his delightfully madcap style to Action Comics, blending elements of the Golden, Silver, and Modern Age into a Superman story for the ages, even managing to work in an issue long dig about Warner Brothers and their treatment of Superman and his creators. Only Grant Morrison can get away with trash-talking his employers.

1 The Multiversity

The Multiversity, by Grant Morrison and artists Ivan Reis, Frank Quitely, Cameron Stewart, Ben Oliver, Chris Sprouse, Jim Lee, Doug Mahnke, and more, is Morrison's long-promised guide to the new DC Multiverse.

Bookended by two related one-shots, each issue chronicles one Earth from the Multiverse, giving readers glimpses of different versions of familiar DC heroes. The best issue is Pax Americana, Morrison and Quitely's answer to Watchmen and widely regarded as one of the best single comics of all time.

NEXT: 5 Ways DC Rebirth Has Improved On New 52 (& 5 Changes That Were For The Worst)

DC: 10 Most Important Changes The New 52 Made To The Comics | CBR

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DC Comics has become a company known for making really big changes to their continuity. Fans like to think it started with 1985's Crisis On Infinite Earths, however, they basically did it at the beginning of the Silver Age- relegating the heroes of the Golden Age to their own Earth was the first DC continuity tweak.

RELATED: Superman: 5 Reasons Why We Loved His New 52 Armor (& 5 Why We Preferred The Shirt & Jeans)

COIE wrought massive changes on the DCU and while DC would make more little changes over the years, they wouldn't do a full reboot again until 2011, when the New 52 began. This new publishing initiative sought to do what COIE did- give new readers a place to jump on while giving older fans something new. It was a mixed bag, to say the least, and lasted about five years before it was overturned. However, in that time, a lot of changes were made and these were the most important.

10 No More Trunks

For years, Batman and Superman wore their trunks outside of their costumes. There was a reason behind this- back when the characters were created, circus strongman costumes looked that way and seeing as how the artists based the appearance of characters on them, the trunks went outside the pants.

As the years went by, the reason was lost and younger fans mocked the practice, so when the New 52 started, the trunks were gone. It doesn't seem like a huge thing but it was, changing the look of classic costumes.

9 Dead Kents-eddys

In the post-Crisis DCU, Ma and Pa Kent were an important part of the Superman supporting cast. Fans had grown to love them and seeing Superman interact with his salt of the Earth parents was a strange treat, one of those things that most people enjoyed but couldn't really say why they did.

In the New 52, the Kents were dead and gone, having died before Superman left for Metropolis. At the time, Grant Morrison was going for a more Golden Age approach to the character in his Action Comics run and in the Golden Age, the Kents were dead.

8 Aquaman Getting A New Series

This may not seem like an important thing but Aquaman getting a new book, one with big time talent like Geoff Johns and Ivan Reis, was a huge deal. Aquaman had spent most of the 2000s languishing after Peter David's long '90s run on the character and needed a shot in the arm.

Johns brought the character back to basics and fans realized that he was way more than just the guy who talks to fish, redeeming him and again making him a linchpin of the DC Universe.

7 Big League Cyborg

For years, Martian Manhunter was one of the founding members of the Justice League but the New 52 would change that. Martian Manhunter was out and in was Cyborg. No longer a member of the second incarnation of the Teen Titans, they even tweaked Cyborg's origin, bonding him with a Mother Box to tie in with the Justice League's battle against Darkseid and the forces of Apokolips.

RELATED: Darkseid War: 10 Reasons Why It Is The Best Thing About The New 52

This one affected both the League and the Titans. While a lot of things about the New 52 have been changed in the interim, this one hasn't.

6 Not So Wonderful

Brian Azzarello and Cliff Chiang's Wonder Woman has went down as one of the best New 52 runs, beloved by fans and critics alike. It made two rather big changes to Wonder Woman. The first is something that actually makes a lot of sense- Diana was the child of Zeus and Hippolyta.

The second is that the Amazons were kind of terrible, kidnapping male sailors and using them as breeding stock, which while closer to the mythological Amazons was a huge change from how they had been portrayed in the past.

5 Who Needs An Oracle?

After being paralyzed in Alan Moore and Brian Bolland's Batman: The Killing Joke, Barbara Gordon went on to what was arguably the best time of her long superheroic career. She became Oracle, working with the heroes behind the scenes, acting as the ultimate information source for them.

Over the years, the decision to paralyze her was looked at as comics' tendency to victimize female characters for dramatic purposes (with good reas0n- when Moore asked if he could do it, editor Len Wein told him to "cripple the b***h") and Barbara Gordon was made into Batgirl again during the New 52.

4 No More Lois And Clark

The relationship between Lois Lane and Clark Kent is easily the most recognizable fictional relationship ever. Everyone knows about it; it's become a part of worldwide pop culture. For years, fans had endured will they, won't they dranma until the two were finally married in the mid-'90s.

RELATED: 5 Good Things That Came Out Of The New 52 (& 5 Bad Things)

However, the decision was made to do away with the relationship in the New 52, with Lois and Clark just being fellow reporters at the Daily Planet. Instead, Superman was put into a relationship with Wonder Woman in a move that seemed more motivated by the opinions of children on a playground than one that made sense for the characters.

3 No More JSA

The Justice Society of America was the first time a group of superheroes came together as a team in the history of comics. Their fortunes have gone through a lot of ups and downs throughout their long existence but had the team had been riding a wave of popularity for a lot of the 2000s as writer Geoff Johns brought them back to prominence in what was arguably the best team book at the time.

In the New 52, the DC Universe's history was drastically changed and one of those changes was that the JSA never formed in WWII. The characters were relegated to their own Earth and got their own book, Earth-2, but the old pre-Flashpoint incarnation was sorely missed by fans.

2 Don't Be A Wally

Wally West started his superheroic career as Kid Flash, helping his uncle Barry Allen fight crime in Central City before Barry was killed in COIE. Wally would take up the mantle of the Flash, the first sidekick to successfully graduate, and become a fan favorite, redefining the role of the Flash in the DC Universe.

The New 52 completely did away with the character and his history, changing the Flash mythos entirely, and angering fans who had grown up with the character.

1 Five Years, That's All We Got

Time in comics is extremely flexible. It has to be- same amount of time that passes in the real world doesn't pass in the comics. The New 52 did something that DC and Marvel had never really done before- it put a time frame on how long superheroes had publicly existed.

Justice League #1 and Action Comics #1 were the beginning of the DC Universe and took place 5 years in the past. This would prove to be a huge problem, as it was hard to justify how so many things had happened in such a short spam of time.

NEXT: 10 Retconned Things From New 52 We Wish DC Had Kept Canon

 

 


10 Reasons We Need A Lara Croft & Wonder Woman Team-Up | CBR

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History is filled with marvelous secrets and mysteries just waiting to be uncovered and solved. Some discoveries could change how we see the world and provide a better understanding but some pose a danger to the world and best be left forgotten. When the latter resurfaces after hundreds of years there are two women fit to save the world: Wonder Woman and Lara Croft.

Related: 10 Movies You Need To See If You Like Tomb Raider

These iconic characters have gone on plentiful adventures facing similar world-ending threats. It wasn't until Stjepan Sejic made some fan art of the two working together that fans demanded more content of the heroines together. After viewing his material, Stjepan has made a compelling case for further team-ups that spark the imagination. Here are ten reasons why we need a Wonder Woman and Lara Croft team-up.

10 They Would Inevitably Cross Paths

Unless this is the type of cross-over where Wonder Woman or Lara Croft end up crossing dimensions, it is safe to assume that their team-up would take place within the same universe. Specifically, one where Lara is already a notable archaeologist and Diana is a superhero working with the Justice League.

Given their tendencies to get involved with magical forces it would only be a matter of time before they bump into each other at some ruins or lost city. There would be a bit of befuddlement from both parties before they wind up fighting a rival organization or ancient monsters together. Of course, this isn't the only arrangement where they'd find one another.

9 Lara's Knowledge Of Other Cultures Will Impress Wonder Woman

If Lara is as famous as she is in her games, then Diana would hear about her adventures and expertise on ancient history. Wonder Woman has a close connection with Greek mythology, but that's not to say she is familiar with mythologies of other cultures. She could seek out the explorer and request her assistance in tracking down a powerful artifact or a lost city.

This is all assuming that Justice League Dark isn't busy or if Wonder Woman believes that this is a mild threat when in reality this is a force of cataclysmic proportions. Either way, Lara would take on the challenge and join the Amazon.

8 Lara's Experience In Fighting Will Come In Handy

Wonder Woman's power set is practically common knowledge and more than enough to take care of herself, but what about Lara? She's good at puzzle-solving, climbing, and handy with a firearm, but is that enough? The answer to that is yes.

Related: Top 10 Superheroes Who Have No Powers

Using these skills, she has survived firefights against groups of mercenaries, beaten dinosaurs, and survived the harshest of environments with brutal injuries. Wonder Woman may seem invincible but even she isn't immune to poisons and bullets. She'll need Lara to back her up and administer a makeshift antidote if it comes down to it.

7 Diana's Godlike Combat Prowess Can Back Up Lara

Lara's persistence is almost a superpower in its own right but she is still human. Wonder Woman is a demigod that's tough enough to hold her own against Superman. Bullets can only get the explorer so far and when that happens, Wonder Woman will have to step in.

Related: 10 Times DC Women Kicked Ass and Took Names

That's not to say Lara can't provide supporting fire but if they are facing off against a creature like Cerberus or the Hydra, it will come down to Wonder Woman to save the day. Or at least provide a suitable distraction for Lara.

6 They're Two Of The Most Empowering Female Icons Of All Time

While there has been progress with the inclusion of empowering female icons in pop culture like Harley Quinn, Eleven, and Captain Marvel, these efforts haven't reached the same level of fame as Lara Croft and Wonder Woman.

What better way to show that an all-girl team-up can work than by having Lara and Diana joining forces? The two characters have years of material from their respective franchises that could be pulled from to craft an interesting story. Regardless of what medium is used to tell the story, people will enjoy it.

5 They Would Make An Awesome Movie

If they were to make a movie of this crossover, it would be a blockbuster hit. If Patty Jenkins' Wonder Woman can achieve critical and financial success with its take on Diana, then a movie starring her and Lara Croft can work too. Films like John Wick and Kingsman have shown how far movies have come in replicating the feel of a video game. In fact, a crossover movie could faithfully recreate the action of the Tomb Raider games better than the actual Tomb Raider movies.

Related: Wonder Woman: 10 Things You Didn't Know About Circe

Plus, the idea of a female duo would be a refreshing take for movies and guaranteed to generate hype online. With the right director and writer, this could make for an epic piece of cinema.

4 They Would Make An Awesome Game

Hoping for a crossover film might be asking too much but video games are actually more plausible. The recent reboot of Tomb Raider has been a hit so far and Wonder Woman is long overdue for a game of her own. If they can make playing Wonder Woman as fun as Batman in the Arkham games or Kratos in the latest God of War, then fans will support this crossover wholeheartedly.

Video games have also made great strides with their storytelling and wouldn't have to worry about the time constraints that movies are limited by. It might be hard to nail down what genre this would fit in, but it's easy to see why this would be a hit.

3 Lara V Greek Mythology

Wonder Woman has a slew of enemies straight out of Greek mythology, which makes sense given how her comics are linked to these stories. If Lara is going to be working with the Amazon, though, then it's likely she will have to face off against someone from Wonder Woman's rogues gallery.

It would be thrilling seeing her try and outfox Ares or fend off one of Circe's Ani-men. Even if she doesn't directly fight them and even if the most she could do would be to say something witty, it would still be fun watching Lara interact with the ancient enemies Wonder Woman's used to. Even more, this supernatural encounter shouldn't be too shocking for Lara, who's become famous for shooting ancient deities and creatures in the face. It's just one of the fun aspects of having properties crossover.

2 Lara Would Love Themyscira

Lara would be blown away if she ever stepped foot onto Themyscira and pleased to mingle with the other Amazons. She'd handle the culture shock easily and would be curious to learn about the Amazons in person.

Her fighting skills may not impress them but her archery and hunting prowess would be able to impress Artemis. By the end of their adventure, Hippolyta might just make her an honorary Amazon. Lord knows she's earned it.

1 They Have A Ton Of Shipping Potential

We all knew this was coming. Stjepan Sejic's artwork is not only beautiful but captures the characterization between Lara and Diana organically. The chemistry feels genuine and makes sense given that the two are battle-worn warriors that have both been brought to the verge of death.

There's no question that the two would admire each other as warriors and it has already been revealed that Wonder Woman is bisexual. They wouldn't even need to mess with the main continuity of they decide to make this an Elseworld series. Bottom line, fans know that there is potential and are dying to see it come true.

Next: 10 Pieces Of Lara Croft Fan Art That Prove She's The Best Relic Hunter

10 DC Villains That Are Stronger Than Superman | CBR

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In all of comics, there are few characters as powerful as Superman. The Man of Steel's abilities are so numerous that you could spend hours listing each power he's used and not even get through half of them. From flying and heat vision to super-ventriloquism and shapeshifting, if there's a power you can think of, there's a good chance Superman had it at one time or another.

RELATED: Superman: 5 Reasons Why Birthright Is His Definitive Origin (& 5 Why It's Man Of Steel)

One power Superman is best known for is his super strength. The first image people saw of Superman was when he was lifting a car over his head, and his strength has only grown from there. From cars to mountains to planets, Superman has lifted it all. But are there enemies lurking who are stronger than the Man of Tomorrow? There sure are! Here are 10 DC villains that are stronger than Superman...

10 Ares

A Wonder Woman villain by trade, Ares the God of War is no slouch in the muscle department. Ares is the strongest of the Olympian gods on par with his half-brother Hercules, and because his strength comes from a magical source, that makes it twice as bad for Superman who has an inherent weakness to the mystical arts.

While there's little doubt that Superman would end up winning a fight against Ares, it would take a whole lot more effort than the Last Son of Krypton is used to exerting on an average day. And with one wrong step, that sure to be Superman win could become a come from behind victory for Ares.

9 Darkseid

As the ruler of Apokolips, Darkseid has had his share of crazy fights, and he's won far more of those battles than he's lost. This stone skinned New God is strong enough to crush a Green Lantern power ring with his bare hand, which is no small feat. And when it comes to fighting Kryptonians, Darkseid is more than up to the task.

RELATED: Man Of Steel: 10 Major Changes The Movie Made From The Comics

Not only has Darkseid defeated Superman in battle in the past, he's done it when Superman is backed up by the Justice League. Darkseid has taken on Superman and Supergirl at the same time and nearly beat them. Superman alone just isn't that much of a threat to Darkseid.

8 Trigon

The demon father of Raven, Trigon is one of the most powerful beings in the DC universe. How tough is Trigon? When he was born, he killed everyone around him, even his mom. By the time he was one, Trigon was ruling a planet. At six, he destroyed that planet for fun, then conquered a few million others just for good measure.

Adding to his unbelievable strength, Trigon is a magical being, and as with Ares, this causes a whole lot of problems for Superman. While the Teen Titans may have been able to fight Trigon to a standstill time and time again, Superman may not end up being so lucky.

7 Sun-Eaters

Created by an alien race called the Controllers in order to destroy worlds they felt were "evil", Sun-Eaters are not responsible for their actions, but that doesn't stop them from being a serious problem for Superman. As the name suggests, a Sun-Eater eats suns, and being that Superman's powers come from the radiation of yellow suns, you can imagine that Sun-Eaters pose a special problem for the Man of Steel.

A Sun-Eater is little more than a 2,000-mile long gas that envelopes a sun and feeds off the radiation until the sun dies. As a gas, Superman's strength, and his other powers, are essentially useless against the Sun-Eater. When one attacked Earth's sun during Final Night, Superman was essentially useless.

6 Anti-Monitor

Born on the moon of Qward, the Anti-Monitor ruled over the anti-matter universe. When the time came, the Anti-Monitor traveled to the multiverse and began destroying all of existence. It took the combined might of every living hero from every remaining universe, as well as the Spectre himself, to stop the Anti-Monitor. In the battles with this most evil of villains, Supergirl perished and a new universe was created. In Crisis on Infinite Earths, there were three versions of Superman fighting the Anti-Monitor and even that wasn't enough to stop the vile foe. A singular Superman would get his Kryptonian butt handed to him in no time flat.

5 Perpetua

If you think the Anti-Monitor is tough, wait until you meet his mom Perpetua. A Super Celestial who created the multiverse, Perpetua didn't follow the laws of the other Super Celestials and continued to mess with her creation looking to build an ultimate evil. When her plan was discovered, the Cosmic Raptor was sent by the Judge of the Source to restrain Perpetua, imprisoning the Super Celestial in the Source Wall for all time.

At least, that was the plan until the Justice League broke the Source Wall and freed Perpetua. As the creator of all things, the exact limit of Perpetua's strength is unknown, but it's clear that she can wipe the floor with Superman's face any time she wants.

4 Imperiex-Prime

The embodiment of entropy, Imperiex-Prime has existed since the dawn of time, but the first time anyone noticed him was when an Imperiex drone showed up at Mongul's Warworld and destroyed it. Filled with fear, a feeling Mongul wasn't used to, the tyrant headed right to Earth to get Superman's help.

When it quickly became clear that Superman wouldn't be enough to handle Imperiex-Prime and stop a new Big Bang, then-President Lex Luthor took over the planning. It took the combined powers of the Earth's heroes, Doomsday, Darkseid, and Brainiac-13 to stop Imperiex-Prime.

3 Parallax

DC Comics loves having physical embodiments of concepts and emotions, and Parallax is no different. A literal being of fear, Parallax has long been a thorn in the side of the Green Lantern Corps, even when they didn't know it existed. The reason Green Lanterns are weak against the color yellow is because of an impurity in their rings created by Parallax being trapped inside the Central Power Battery.

Parallax is able to control and defeat anyone or anything that feels fear, and that includes Superman. Heck, the creepy looking yellow monster even beat the Spectre, so you know it's no slouch. Sadly for Superman, he wouldn't stand much of a chance against Parallax.

2 The Great Evil Beast

As the story goes, "When the Creator said "Let there be light", the Original Darkness retreated and stayed inactive for unknown ages". This Original Darkness, also known as the Great Evil Beast is the first evil thing in the universe, and despite the combined efforts of John Constantine, Swamp Thing a number of other supernatural heroes, the angelic army of Heaven and the demonic armies of Hell, this unfathomable evil woke up.

RELATED: Superman: The Man Of Steel's 10 Most Hilarious Out Of Context Panels, Ranked

In the end, the only thing that could stop the Great Evil Beast was the very entity that created it - God. The Great Evil Beast had defeated everyone who stood up to it, including the Spectre, but the creator of all things was able to calm it down. Superman may be tough, but if it takes God to stop something, you can be sure the Man of Steel won't be able to do it himself.

1 Mister Mxyzptlk

While he isn't usually thought of as being strong, Mister Mxyzptlk is an imp from Fifth Dimension who has seemingly unlimited power. Luckily for the people of the Third Dimension, Mister Mxyzptlk prefers to use his power to have fun. If he wanted to, Mxyzptlk could erase all of existence with a stray thought. And while Mister Mxyzptlk presents himself as a short goofy looking fella, he is in fact a rather frightening being who, if he so wished, could rip Superman limb from limb in the blink of an eye. Thankfully, Mxy enjoys the game he and Superman have been playing for years to end the universe.

NEXT: Every Superman Show Ranked, According To IMDb

PREVIEW: House of Whispers #22 | CBR

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  • written by NALO HOPKINSON
  • art and cover by DOMINIKE “DOMO” STANTON
  • The time has come for both Erzulie and Poquita to take back the power of their twinned Houses…but Anansi will stop at nothing to keep his treasures! The sweeping epic of Erzulie’s war with the trickster god comes to an explosive conclusion!
  • ON SALE 07.07.20
  • $3.99 US | 32 PAGES
  • FC | DC BLACK LABEL
  • AGES 17+
  • FINAL ISSUE

PREVIEW: Justice League #48 | CBR

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  • written by SIMON SPURRIER
  • art by AARON LOPRESTI and MATT RYAN
  • cover by DAVID MARQUEZ
  • variant cover by CLAUDIO CASTELLINI
  • As writer Simon Spurrier jumps on board for the start of the three-part tale “The Rule of War,” it’s close encounters…of a Justice League kind! After answering a distress signal from distant space, Batman, Superman, Wonder Woman, the Flash, and Green Lantern discover an abandoned cargo ship full of young aliens! When the League attempts to return the children to their home planet, they are met with awe, terror, and war! Thus begins a three-part storyline that will take the League to a previously unknown planet, with an all-new species, a dangerous mystery, and a new, otherworldly villain.
  • ON SALE 07.07.20
  • $3.99 US | 32 PAGES
  • FC | DC
  • This issue will ship with three covers.
  • Please see the order form for details.

PREVIEW: Justice League Odyssey #22 | CBR

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  • written by DAN ABNETT
  • art by CLIFF RICHARDS
  • cover by JOSÉ LADRÖNN
  • variant cover by SKAN
  • Darkseid seeks absolute control of time, and Epoch has all but handed him that godlike power. Can the JL Odyssey team stop him in his tracks? If they fail, the Lord of Apokolips will rewrite universal history in his favor, and everything that could oppose him will cease to exist!
  • ON SALE 07.07.20
  • $3.99 US | 32 PAGES
  • FC | DC
  • This issue will ship with two covers.
  • Please see the order form for details.
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